For more information, or to reserve a table, please email or call the Ticket Desk on 0844 7701 797.
G Live's Café-Bar will be open two hours before this performance for light bites and refreshments. Riproduci in streaming brani tra cui Going Back Home, Ice On the Motorway e altro. Fee-free booking for Friends of G Live Groups of 8+ please call 0844 7701 797 to buy fee-free. Ascolta Going Back Home di Wilko Johnson & Roger Daltrey su Apple Music. Subject to change)Ī £2.00 per ticket booking fee applies, capped at six per order. Roger Daltrey, Wilko Johnsons Riveting Album. In true style, Wilko is still rocking and, as well as undertaking to play shows for as long as he is able, Johnson is also recording a new album with Roger Daltrey, due for release early in 2014.ĭon’t miss your chance to hear one of England's rock legends, for what could be the last time. Feelgood guitarist collaborated with the Who frontman and a scrappy band for a 2014 album.
In July 2014 he made an album with Daltrey which has taken the charts by storm. Find thousands jazz reviews at All About Jazz EXPLORE Donate. He discussed his terminal cancer, and said that doctors have told him he has nine or ten months to live. Wilko Johnson / Roger Daltry: Wilko Johnson / Roger Daltrey: Going Back Home album review by Sammy Stein, published on April 20, 2014. Johnson stated in early 2013 that he had terminal cancer, and aptly announced he was going on a farewell tour. Feelgood in 1977, Wilko formed his own band before joining Ian Dury’s Blockheads to co-write several songs on the Laughter album, and then reforming the Wilko Johnson Band. album Going Back Home, Wilko Johnsons collaboration with Roger Daltrey. The list of 70s New Wave bands who acknowledge the influence of Wilko and the Feelgoods is extensive and includes The Clash, The Sex Pistols, The Jam, The Boomtown Rats, The Ramones & Blondie. Joining Wilko on the album are his long-standing band Norman Watt Roy on bass. Feelgood, it was their guitarist Wilko Johnson who excited the most attention, not only for the startling violence of his stage performance, but also for his guitar style. When rock ‘n’ roll was shaken from its pre-punk complacency by the emergence of Dr.
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